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Lonely Citadel


lexxercise:

I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>

BRUSHES

Pencil

I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor

Best used for smooth blending, washes, gradients, and smoky atmospheric effects.

Cloud

Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.

TEXTURE OVERLAY

To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!

-L

I’ve fallen so far I decided to turn my sculpture project based on the prompt of “opposites” into representations of newt and hermann these dumb nerds are my whole life



If Anastasia can learn to act like a grand duchess in 3 days then I can finish this painting that’s due in 2 days




fucktonofanatomyreferences:

A mouth-watering fuck-ton of hand references.

[From various sources]


I’ve come to my senses that I’ve become senseless
and i think it’s fine by me that i’m my own worst enemy

aka that moment at 3 am when you’ve gotten too much sleep all year and remember the anger and stubbornness that fuelled you for the first 17 years of your life and how good it is to be volatile and violent (remember that one time you put a dude in a wheelchair, or when you punched someone for calling you a spaz one too many times) and how kicking and biting is your specialty and it’s a good colour on you

when you remember what you dream of and what you live for and how you’re gonna kick and bite to have what is yours


Some sketchbook photos, drawings ranging from last August to March


The front and back of my current sketchbook. On the front the stickers are ooh la la brand I think and I was lucky enough to find one that looks exactly like Hermann Gottlieb. The back sticker is from the Pacific Rim artbook. The book itself is moleskine.


I tried drawing my BFF teofilinda but it doesn’t look like her lol whoops


nootnoot sketch that i wanna finish after i do my painting hw c:

fun fact it’s so easy to forget that newt is an actual Accomplished Adult with multiple college degrees and patents with how he acts but then i remember that i too am an Adult and it gives me hope for the future

never stop being a groupie, cos one day it might just save the world and score u a hot science bf

skippylynn:

May you have the artistic confidence of a twelve year old on deviantart with a sonic oc





Rae is a Supporting Character who sometimes tries to do art. It usually doesn't turn out very well.
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